BEGIN:VCALENDAR VERSION:2.0 PRODID:-//Gratis-in-Berlin//NONSGML kigkonsult.se iCalcreator 2.14// METHOD:PUBLISH X-WR-CALNAME:Gratis-in-Berlin Tip Kalender X-WR-CALDESC:Erhalte Gratis-in-Berlin Tips in deinem Kalender BEGIN:VEVENT UID:20260806T014727UTC-9836hLENWJ@Gratis-in-Berlin DTSTAMP:20260806T014727Z DESCRIPTION:Tobias Meissl ? Vibraphon &\; KompositionDavid Dolliner ? Ko ntrabassValentin Duit ? SchlagzeugThe trio improvisationally interprets co mpositions by the band leader. While Tobias Meissl provides the initial ma terial and thereby nominally acts as composer\, the music is largely conce ptualized in a way that it would sound completely different with another e nsemble. Were the pieces to be played exactly like they are notated\, they would work fine but for the most part that is not the idea. Valentin Duit and Tobias Meissl have been making music together in various contexts for over 20 years now and Ivar Roban Kriz?ic? has been connected to them by a collaboration also already lasting for 5 years. This makes for deep music al trust and communication\, leading to moments of\, at times\, uncanny mu tual understanding. After sporadic trio performances in this configuration \, Duit and Kriz?ic? have played together in a myriad of musical situation s as one of the most sought-after rhythm sections of the Vienna jazz scene . Within the Tobias Meissl Trio\, through periods of intensive rehearsals since the fall of 2021\, the collaboration in various sidemen-contexts\, t he ongoing work with the Valentin Quartett ? with the same personnel compl eted by Robert Unterköfler on Tenor Saxophone ? since the end of 2022 as well regular performances such as a monthly concert at Café Frame in Vienna\, th ere has emerged a shared sound as and an individual way of playing togethe r as a group.Hence\, the compositions for this Trio have been written espe cially for this shared ensemble sound and playing culture for a while now. This way of loose interpretation is also consciously factored into the co nception as well as\, in some cases\, the way of notating the pieces. Meis sl understands his role as composer for this ensemble mainly in providing musical topics of conversation and setting up certain frameworks which are discussed together\, explored or at times left behind\, rather than build ing musical sculptures which are to be reproduced as exactly as possible. The composed material\, in some cases complex and notated in great detail\ , serves mainly as a point of departure or entry into a network of relatio ns and\, on its own\, is far from being ?the piece?. This piece emerges in the process of the developing variation of the material\, which can be un derstood\, approached and read differently from performance to performance . Stylistically\, the music is inspired and informed by various traditions \, but definitely comes out of a jazz approach of collective music making\ , while the aim is not any apparent (at least not intentional) allusion to or imitation of any concrete role models\, but rather the synthesis of a self-contained sound.The music allows for a high degree of freedom for ind ividual expression and shaping\, and the diverse musical interests of the bandmembers\, ranging from Jazz(-related)\, contemporary classical\, exper imental\, improvised\, European classical music and different folk musics etc. are encouraged to find their way into the collective music making. Fo r the most part\, however\, the pieces remain as a reference\, varyingly f rom performance to performance\, more or less obvious to the outside liste ner. This is to say that we are dealing with mainly structure-based improv isation\, which\, neverhteless\, does not aim at ostensibly marking and po inting out those structures or emphasizing their repetition. The result of ten has a quasi ?through-composed? character\, perhaps one of improvisatio nally developing musical prose\, the structure of which is not at all time s obvious. The basic idea remains to understand a piece of music\, indepen dently of any degree of fixation in the notation\, as not finished or clos ed ? (ab)geschlossen ?\, and to recognize and acknowledge its mutable poly morphism and explore it for its (im)possibilities.For those already in the know\, this is nothing new and it is also clear that this has been around for a long time. For some\, however\, these thoughts might be new and pos sibly even interesting. To get a better image and reflection of what has b een so thoroughly written about here\, come to as many concerts of the Tri o as possible!https://www.youtube.com/@tobiasmeisslEintritt frei ? um ange messenen Kulturbeitrag wird gebeten.Free entry ? it is suggested to give s ome money if you like the band.Das Peppi Guggenheim ist eine Raucherinnenb ar! Einlass ab 18 Jahre!The Peppi Guggenheim is a smoking bar! Admission f rom 18 years!Live auf YouTube: https://www.youtube.com/live/d-luJxrH-PI?si =guKFqOghgLD0JAMs#TobiasMeisslTrio #TobiasMeissl #DavidDolliner #ValentinD uit #Jazz #modernjazz #vibraphone #LiveConcert #PeppiGuggenheim #Neukölln #Be rlin\n\nViel Spass wünscht Gratis-in-Berlin\n\nLink zum Tip: https://www.gratis -in-berlin.de/musik/item/2068979-jazz-peppi-tobias-meissl-trio\nZu den Gra tis-in-Berlin Angeboten: http://www.gratis-in-berlin.de\n DTSTART;VALUE=DATE:20241026 DTEND;VALUE=DATE:20241027 SUMMARY:Jazz @ Peppi: Tobias Meissl Trio END:VEVENT END:VCALENDAR